July 9, 2025
Joel the Ripper
In the suburbs of Long Island, behind the quiet streets and manicured lawns, something dark was festering. Joel Rifkin, a man with a soft voice, thinning hair, and a passion for gardening, harbored a secret—one that would horrify the nation.
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Works cited:
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Merch When you look in their faces, what did you see?
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H do you trapped in headlight? Look just a stare?
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Tapes from the dark Side contains descriptions of violence and sexuality.
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Listener discretion is advised.
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In the suburbs of Long Island behind the Quiet Streets
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and manicured lawns. Something dark was festering. Joel Rifkin, a
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man with a soft voice, thinning hair, and a passion
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for gardening, harbored a secret, one that would horrify the nation.
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Over the span of four years, Rifkin murdered at least
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seventeen women. Most were sex workers. Most were forgotten, but
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Rifkin remembered every single one. Today we dig beneath the
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surface of America's most prolific and perhaps most overlooked serial killer.
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Joel David Rifkin was born on January twentieth, nineteen fifty nine,
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but he wasn't born into the Rifkin family. He was
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adopted as an infant by Bernard and Jean Rifkin, a
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middle class couple in East Meadow, New York. From a
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young age, Joel struggled. He had undiagnosed dyslexia, and his
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academic performance suffered. Teachers described him as shy, withdrawn socially awkward.
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He never quite fit in. Rifkin was bullied constantly. He
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became obsessed with death and violence and isolation. By high school,
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his sexual fantasies had taken a dark turn. He was
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intrigued by the idea of domination of control. Joel graduated
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high school barely. He attended several colleges but never earned
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a degree. He was a drifter through schools, jobs, and
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eventually into a bleak and private world of fantasy. Before
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Joel left to attend college, he was determined to lose virginity,
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and so he picked up a woman who he would
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pay for sex. In nineteen eighty six, he moved into
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his parents' home full time and began his own landscaping
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business to make money. It gave him privacy, tools, a truck,
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but most importantly, it gave him time. For Joel Rifkin
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murder didn't begin with violence, It began with obsession. He
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was a man consumed by compulsive sexual desire what some
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experts today would probably call sex addiction. Though never officially diagnosed,
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Joel himself admitted that his life was dominated by his
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need for sex, and more specifically sex with disadvantaged women
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who he believed he could control. By the late nineteen eighties,
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he was spending nearly every night strolling Manhattan's red light districts,
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used his landscaping truck as both lure and layer. Sometimes
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he'd visit strip clubs or massage parlors, but more often
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he sought out street level sex workers. He admitted to
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sleeping with hundreds of women over the span of just
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a few years, sometimes seeing two or three in a
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single night.
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How did it make you feel to go? Because ultimately
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you kept doing this? I mean, right, you know, you
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got on and on and.
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On from an occasional you know, tension reliever, just curiosity
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to yeah, every paycheck. Right, there was a time where
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if I cashed my check on a Thursday, I had
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to get a full tank of guests that day, get
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whatever errands I had to do done before Friday, because
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by Monday it would be you got five bucks, I
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can get a tank, a guess and can get home.
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Yeah, and that's the what we know what you were doing.
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But I'm asking you why why did you go back?
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How did it make you feel to be with the prostitutes?
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Just a lot less tense, a lot less.
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Lonely, less tense to slowly? What about control? What about
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controlling the event?
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It was they were more control than I was.
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Joel wasn't necessarily seeking connection or intimacy. This wasn't necessarily
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about loneliness. It wasn't even about power, although that was
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a component. This was about compulsion. Joel Rifkin had become
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addicted to the ritual, the cruising, the negotiation, the secrecy,
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But over time that compulsion stopped giving him the high
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he craved, and he started fantasizing about more about domination,
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about violence, about death. In his confession, Rifkin described how
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the post sex moments became darker. He would become angry, resentful,
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sometimes even disgusted. It was only a matter of time
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before he started to act on those feelings.
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See you sometimes expanded. And it was also the killing
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fantasy that would come in and out.
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Okay, what is that fantasy?
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It was strangulation fantasies.
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It was, uh, okay, tell me about that. What is
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the strangulation fantasy?
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Sort of like of the movie Frenzy and things like that.
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How would one do that? What would that be like?
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And I'd run through scenarios and then dismiss it. I
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don't know. With strangulation, you seemed to be an intimacy
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to it. You know, it's contact. Yeah.
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Of course, sex addiction, when left unchecked, can spiral into
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deeply dangerous behavior, especially in someone exhibiting existing antisocial tendencies.
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Rifkin wasn't just compulsive, he was emotionally disconnected and unable
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to regulate his fantasies. Experts note how addiction doesn't exist
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in a vacuum, and for Joel it fed directly into
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his need for control. He said, the moment of strangulation,
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the moment when his victims stopped struggling, was when he
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felt the most powerful, and that's what kept.
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Him coming back.
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It wasn't about sex, it was about annihilation. There's a
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dangerous myth that sex addiction is just an excuse, but
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in Joel Rifkins's case, it's a genuine pathology, one that
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drove him night after night to search for something that
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would finally satisfy his cravings. But the need never went
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away no matter how many women he used or killed.
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Joel Rifkins's addiction wasn't a pleasure. It was to the
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illusion of control. On March fifth, nineteen eighty nine, Joel
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Rifkin picked up a sex worker named Heidi Bulk, aged
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twenty five, known by the nickname Susie.
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He drives her out to Long Island, to the home
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that he grew up in where he played with his sister,
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where he still lives with his mother. He plans on
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just having sex, although this fantasy of killing somebody is
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in his head like it always is.
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We were going back to the stroll. She wanted a
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cop again, so I took to the drug spot. Then
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I still wanted to do something with us, so we
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went out to the house. She got high in the
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bathroom again.
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He has sex with Susie. She wants to sleep, She
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wants more drugs, she wants more money. You know, she's
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not cooperating.
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You've been with her for quite a while, as you described,
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ten to eleven hours, and she essentially has really been
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much more interested in getting drugs than Yeah, getting drugs
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and sleeping, Getting drugs and sleeping.
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Yeah, to any spots around here we can get something drugs, Yeah, No,
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get back to the city for that. I don't know
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any place out here. We get ready to leave, and
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that's when I hit her.
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He brought her back to his home while his mother
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was away, and the encounter turned violent. Joel beats Susie
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to death with a souvenir artillery shell. Then he strangled her.
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He didn't panic, not right away. He slept in the
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same house with her corpse in the garage for days.
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When the smell became overwhelming, Rifkin dismembered Susie's body with
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an exact o knife. He placed the pieces into buckets
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and scattered them in different locations, Brooklyn, the East River,
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another in New Jersey.
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You know, to grab an artillery shell and hit somebody
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in the head.
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Yeah. I don't think there was any just decisive trigger point.
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It just well, that's what I'm wondering.
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Is that a culmination of the whole night of just
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this constant get me drugs, you know, and in other words,
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I don't know, are your needs being met through this
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whole night or are you just sort of the gopher?
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Well it's been it was the gopher, to use that word,
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and other nights one arm was around their head, the
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other arm was underneath the arm.
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So chin neck area, So you were smothering with your forearm. Yeah.
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How did you feel after you were done killing her?
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What was that feeling like? When I woke up, I
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was like, or did it not happen?
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Wasn't I remember going down in the basement realizing, okay,
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we did do something, and I remember a poking under
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see if she was, you know, wake up?
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Did you sleep well?
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Yeah?
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Did you normally sleep well?
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Yeah?
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Fell out for about six hours. First homicide yep. Then
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what happened to her?
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Uh?
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He woke up and went down.
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Thought for several hours how to get her out of
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the house?
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What did you do with her?
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Uh? How I cut up with the idea of small packages,
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easy to hide, easy to make go away, easy to
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take out with the trash.
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What made you decide to do that? To take that route?
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It's messy, It takes a lot of time. Just that
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I had said, if.
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It, you know, make everything as small as possible, make
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it all disappear. That was the overwhelming thought I had.
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When usual for his sister or his mother to go
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anywhere near that garage, because the garage was very much
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like his room. It was all filled with his.
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Jump and then he waited for something to happen, for
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police to knock, but no one did. That's when Rifkin
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realized something chilling. No one cared he could do this again,
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and he did. We'll be right back after a quick break.
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Skip the ads at patreon dot com. Slash tapes from
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the Dark Side by the Spring of nineteen ninety, Joe
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Rifkin had already killed once. The first murder had awakened
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something in him, a dark appetite he didn't fully understand,
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but could no longer suppress. He told himself it had
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been a one time mistake, that it wouldn't happen again,
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But that was a lie. Just over a year later,
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Rifkin met Julie Blackbird, and the urge returned.
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Period of time, what's going on in that eighteen months?
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Are you fantasizing?
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You think? Did you think back on Susie?
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Well, that was yeah, that whole night would just keep repeating.
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Some nights it was terrifying, other nights it was pleasant.
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It was exhilarating due moments of terror. You know, it
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just it ran its course my way to be terrifying.
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Oh.
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I was still in denial that I even did it
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at times.
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Julie Blackbird was thirty one years old, A part time
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sex worker. She'd struggled with addiction and periods of homelessness.
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She was no stranger at a hard times, but those
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who knew her said she was kind and sharp, with
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a fierce sense of humor. Eighteen months after his first
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kill on July fourteenth, nineteen ninety, Joel picked up Julie
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near the Lower East side of Manhattan under the Manhattan Bridge.
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It was a swelteringly hot Saturday night. She climbed into
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his mass to pickup truck, unaware that she was stepping
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into the final hours of her life. Joel's mother again
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was out of town, so they drove back to East
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Meadow and Julie spent the night the same pattern as
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the first kill, the same set up, the same destination.
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They went into the cluttered garage, just like before. Joel
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claimed they had sex, but afterwards something shifted. Rifkin dismembered
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Julie Blackbird, and he placed the pieces in plastic buckets
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and sealed them with cements. It was a macabre kind
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of efficiency, when investigators would later describe as chillingly organized.
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One by one, he drove the containers to various drop
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sites around New York's waterways. He tossed one into the
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East River, another one into Brooklyn's Newtown Creek, and at
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least one more into the Harlem River. It was a
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disposal plan designed not just to hide the evidence, but
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to erase Julie Blackbird entirely.
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You never concerned about getting stopped by police with all
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these body parts in your car.
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I mean it was as it was.
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Ever a no no. If they had stopped you, would
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they have seen the body parts.
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Depending on when the most of everything was in the trunk,
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there was what looked like a bucket of cement and
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a passenger side.
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Each time he got more comfortable, some victims were dumped
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in rivers. Others were buried in shallow graves or left
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in industrial areas. In one case, he kept a body
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